The starting point for this installation was the modern city's tracks of distorted sound. The sound of the city carries its own energy and this energy is tracks from the people who forms the sound of the city, or who are themselves formed by it. We wanted to take the city's own distorted sound sources into the installation, and at the same time examine the city's acoustic characteristics. We projected the soundtracks over a sound-floor in perforated metal that made a re-composition of the city's acoustic and spatial tracks possible.
Soundtracks was exhibited at Norsk Form during the Ultima Festival 2004.